In the rural outskirts of Gaza City a small community of farmers, the Samouni extended family, is about to celebrate a wedding. It's going to be the first celebration since the latest war. Amal, Fuad, their brothers and cousins have lost their parents, their houses and their olive trees. The neighborhood where they live is being rebuilt. As they replant trees and plow fields, they face their most difficult task: piecing together their own memory. Through these young survivors' recollections, Samouni Road conveys a deep, multifaceted portrait of a family before, during and after the tragic event that changed its life forever.

In the rural outskirts of Gaza City a small community of farmers, the Samouni extended family, is about to celebrate a wedding. It's going to be the first celebration since the latest war. Amal, Fuad, their brothers and cousins have lost their parents, their houses and their olive trees. The neighborhood where they live is being rebuilt. As they replant trees and plow fields, they face their most difficult task: piecing together their own memory. Through these young survivors' recollections, Samouni Road conveys a deep, multifaceted portrait of a family before, during and after the tragic event that changed its life forever.

这场以爱为名的骗局里，每个人都戴着精致的面具 —— 阮范，阮家名义上的继承人，一边享受着未婚妻章梓研带来的家族资源，一边与情人白小莲沉溺于偷情的刺激，将 “婚姻” 视作攫取利益的工具；章梓研，看似温顺的豪门千金，在发现阮范出轨的真相后，并未选择隐忍，而是与阮范的养父武逸帆达成隐秘同盟，一步步布下复仇的棋局；武逸帆，四十岁的商界枭雄，既是阮范法律上的父亲，也是藏在暗处守护章梓研多年的人

父亲教授中国传统的书画艺术，他希望这门艺术能在儿子这一辈得到传承，可儿子选择了化妆师职业，由于观念上的分歧，父子二人常年存在隔阂。退休后的父亲本想陪着老伴平静地度过晚年，但是老伴突发的疾病让老两口措手不及，老两口在是否让儿子放弃梦想回来照顾自己的问题上产生了分歧，病情的加重使老两口日渐艰难，经济上的拮据让他们雪上加霜、被逼入绝境。得知母亲重病，儿子回到家中照顾母亲。过程中父子二人关系稍有缓和，但由于家里负担不起救治费用，加上病情太重，母亲还是离开了。母亲去世后，父亲终于理解了儿子，儿子也明白了珍惜眼前的亲情。但最终，儿子却在一场车祸中丧生。

父亲教授中国传统的书画艺术，他希望这门艺术能在儿子这一辈得到传承，可儿子选择了化妆师职业，由于观念上的分歧，父子二人常年存在隔阂。退休后的父亲本想陪着老伴平静地度过晚年，但是老伴突发的疾病让老两口措手不及，老两口在是否让儿子放弃梦想回来照顾自己的问题上产生了分歧，病情的加重使老两口日渐艰难，经济上的拮据让他们雪上加霜、被逼入绝境。得知母亲重病，儿子回到家中照顾母亲。过程中父子二人关系稍有缓和，但由于家里负担不起救治费用，加上病情太重，母亲还是离开了。母亲去世后，父亲终于理解了儿子，儿子也明白了珍惜眼前的亲情。但最终，儿子却在一场车祸中丧生。

The dentist Oscar has been married for five years and lives with his wife and adopted children. On the surface everything seems to be fine but Oscar is not a happy man. His wants a baby of his own flesh and blood but it's not working out. When he finds out that his wife has been deceiving him all these years he decides it's time for a change. Einar is a stockbroker who is very successful at work but not in his personal life. For the last couple of months Einar has been living at a hotel waiting for his wife to realize the terrible mistake she made by throwing him out. Katrin Rose returns from Sweden where she has lived for eight years. In Iceland Katrin has an eleven-year-old son, brought up by his grandmother and now Katrin wants him back. Katrin gets a job as a dentist's assistant intending to make a fresh start but her troubled past catches up with her. PARENTS is the independent second part of twin features by Ragnar Bragason and Vesturport exploring the roles of children and parents. The first part, CHILDREN was released in 2006. Written by Icelandic Film Centre

The dentist Oscar has been married for five years and lives with his wife and adopted children. On the surface everything seems to be fine but Oscar is not a happy man. His wants a baby of his own flesh and blood but it's not working out. When he finds out that his wife has been deceiving him all these years he decides it's time for a change. Einar is a stockbroker who is very successful at work but not in his personal life. For the last couple of months Einar has been living at a hotel waiting for his wife to realize the terrible mistake she made by throwing him out. Katrin Rose returns from Sweden where she has lived for eight years. In Iceland Katrin has an eleven-year-old son, brought up by his grandmother and now Katrin wants him back. Katrin gets a job as a dentist's assistant intending to make a fresh start but her troubled past catches up with her. PARENTS is the independent second part of twin features by Ragnar Bragason and Vesturport exploring the roles of children and parents. The first part, CHILDREN was released in 2006. Written by Icelandic Film Centre

Men-Chuan Yang, a fisherman with over half a century of fishing experience, sees the ocean in front of his home as if it were his parents, helping him shoulder the heavy responsibility of being the head of the family. Unlike most Hakka people who have memories of farming, his ancestors had already turned to the ocean for development. Even though his father once laughed at him for being clumsy and slowing down progress, Men-Chuan Yang still maintained diligent practice. He collected broken nets and learned his father's hand-woven fishing net technique. Although the nylon fishing line and netting machines from Japan have already replaced hand-woven fishing nets. But he still strives to pass on the skill of hand-woven netting to his grandson, because repairing fishing nets still relies on manual labor. The holes in the net need to be repaired by hand, and the holes in forgetting need to be avoided by generational inheritance. Men-Chuan Yang watches his grandson weave fishing nets, hoping he will remember the admonition "people must not forget their roots."

军阀即将发动战争,军火库是人人急眼的地方.汉奸英雄各个雄起,壁虎功是个传奇的功夫,而壁虎游龙成为了隐形的英雄.